Wednesday, January 6, 2016

New Year - New Classes

I have just updated my teaching schedule for this year. I will be adding more classes as they come along. In addition to the classes I put up -(look under teaching schedule, please), I will be teaching coil basket making and rigid heddle weaving at NMC.

February is turing out to be Rigid Heddle month for n.anne.  I will be making a presentation to the Northland Weaver's Guild on February 18 about the versatilty and ease of use the RH offers.  Interlochen Adult College is hosting a class on February 20. The Dennis Museum (Where the show "Extreme Fibers" is showing)  is offering the same class on February 27. I am glad for this focus for the next 6 weeks. There are many experiments I would like to try on this fabulous little loom. This gives me a impetus to really dig in!

Meanwhile, I am enjoying watching the sun return over my lake, and on my loom.

And playing around with natural dyes and ikat techniques.

While Gary gets to know the locals.

Monday, November 16, 2015


In the past I have found myself to be attracted to complexity. The more intricate and difficult a design was to make -the more satisfying I found it to be. 
Now I am discovering - perhaps again, simplicity has its charms. 
Complexity is plentiful. Maybe I don't need to create more. 

I needed hand towels for my powder room. I wanted them to be linen. I wanted them to match the counter top. I wanted them to be timeless. I tried to buy them at a local store - but my ideal towels didn't seem to exist there. Having decided that I could weave them, I was tempted by multi harness complex broken twills. Because I can! But dead simple seemed to be the way to go. 

 Here are the finger towels right off the loom.  Plain weave - rather stiff. I loved the drape - or lack of drape at this point. I momentarily considered  making the continuous piece into a table runner.
Instead, I threw the whole thing into the washer, on very hot, with lots of agitation. The fabric came out relatively soft, with a nice drape. Still a little tooth in them.  They will become softer over time. They feel great in my hands and absorb water well. They match my counter stone perfectly.  It was the combination of the right fiber with the right structure that got me the result I wanted.

In the spirit of Thanksgiving, I am grateful for the simple pleasures.

Saturday, November 7, 2015

Back in East Lansing for a minute

I am back in East Lansing for a quick little weekend. I attended the Grove Gallery holiday market opening last night. Always a good party, and so great to spend some time with my gallery buddies and art friends. I returned this morning to pick up a shawl that coordinates with the dress I plan to wear tonight. 
Grove Gallery is filled with wonderful gifts, and indulgences. I am sure that more work will continue to come on over the next month, but the selection is pretty darn amazing right now! 
325A Grove Street, East Lansing. 

Thursday, October 8, 2015

Extracurricular photos from Gatlinburg

I am amazed by the juxtapositions I see in Gatlinburg. Just fascinating.
The entrance to Arrowmont. For those who don't know, Arrowmont is a school of arts and crafts where people can go for workshops of very high quality. It is a serious institution in a very strange tourist town.
This is my class work. Made from trash found on the Gatlinburg strip. 
Pumpkin spice liberation army. action against mindless consumerism. The T-shirt is the problem. Carol Lung. 
Sign outside the Salt and Pepper museum. They were closed when I got there. I hope to get inside today.
face in the pavement.

Monday, October 5, 2015

Critical crafting

I am at Arrowmont, in Gatlinburg Tennessee, for the preconference intensive workshops. My worksho Is with Ann Norton. Last night we warped our frame looms. Today we will walk the streets of Gatlinburg and look for weaveable garbage, and cast off ephemera. 

I shared a shuttle yesterday with Namita Gupta Wiggers. She is the former director of the craft mueseum in Portland Oregan, founder of Critical Craft Forum, and the juror for the show Materialities, here at Arrowmont. Look her up. Her name pops right up in a Google search. I got to spend a lot of time with her yesterday. She is warm, funny, and curious. I had the privilege of walking the show with her and hearing her insights about the pieces she chose. 
In some ways this week is shaping up to be like a return to art school crossed with summer camp. I am in a three person room with a shared bath down the hall. My roommate is very nice and considerate. It is pretty quiet, even though the driveway empties out on the main strip in Gatlinburg. Last night I heard the town referee to as "hillbilly Las Vegas". One of the things I could do this week would be to watch a lumberjack competition. And drink moonshine. The moonshine store is right next to the candy shop. 

Sunday, October 4, 2015

On my way to SDA

It has been 25 years since the last time I went to Arrowmont in Gatilinburg TN. I can't wait to see what has changed and what has remained the same. Like the last time, I will be taking a tapestry workshop. This time it is with Ann Morton. It will be more conceptually based, and we will use items from around town, as we collect from merchants, and share with each other. I have been focusing more on traditional tapestry techniques lately, so I am eager to think differently.  On the other hand, I remembered with a bit of a surprise a project I did 15 years ago that might be similar to what we are about to do. I warped an entire room ( The Art Apartment) in downtown East Lansing, and invited community members to come weave with me. People came. They brought yarn, plastic bags, clothing,  bandanas and much more, I invited each person to write their story in the journals I kept with the project. I promised them all this project was a one time only deal and would never be displayed elsewhere. An article about the project was published in the September 2001 issue of Fiberarts magazine. It was an amazing experience. People shared their words and their stories, and wove with items that had personal meaning, even though they knew it would never be seen again. 

After the Morton workshop, I will be attending the Surface Design Association conference; Made/Aware. The theme of this conference will be on making a difference with fiber arts, from recycling to building community. Right up my alley! I will work with and meet several of my heroes, (Catherine Ellis, Rowland Rickets for instance) and re-connect with my old school mate Fran Dorsey. 

I hope to blog about my experience several times this week. 

Friday, September 25, 2015


I am a recovering and relocated artist in a deluxe setting: big well equipped studio with a view.

After 10 years of running a small business, and 18 months of planning an house and a move, it is high time I get serious about this art thing. (Those who know me, or read my blog are forgiven if they are thinking "This again" or "Still?")

But now I feel that I have all the right pieces. I might even know where most of them are, and am starting to put those pieces together.
Here is my strategy:

1) meet as many local artists as I can.

2) Become familiar with all the arts organizations in the region - meaning "northwest Michigan". Get involved with a few. This will take some time to figure out.

3) Most important! Time in the studio. Everyday. Or at least 5 days per week. Or 4. Balance is also important. My house still needs lots of work - and then there are those friends and family that deserve a bit of time.

4) Also very important! It doesn't matter what happens in the studio. I can read in there. I can stare out the window. I can plan classes. I will draw everyday. And weave some. Spin some. Play around quite a bit. Try new stuff, or very old stuff that I used to like to do.

5) No judgement. So I can try stuff without fear. It is mental exercise. As with yoga, you are also not supposed to judge your forward bend. You are just supposed to do it, and be glad you did. If at the end of the day I like something I make, I might let it go out.

I have been working with this process for a week or so. I am feeling good about it. Nothing to send off to the galleries yet, but I can feel a blossoming. If you care to share your process in the comments I would enjoy reading about it.